{"title":"New Arrivals","description":"","products":[{"product_id":"alexis-evans-ive-come-a-long-way","title":"Alexis Evans - I've Come A Long Way","description":"\u003cp\u003eLP Ltd\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eenfant prodige\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eof Soul Alexis Evans returns with an album that makes\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eBordeaux the new French capital of deep soul.\u003c\/i\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eForget about great wines for a second, from Bordeaux rolls in Alexis Evans, the next big thing of the French deep soul scene. Following his acclaimed debut LP \"Girl Bait\" (2016) Record Kicks presents \"I've Come A Long Way\", from this Anglo\/French artist. 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With her impressive yet restrainedly candid voice, laced with a combination of coolness and sensitivity that's near impossible to mimic, Gizelle communicates authenticity, a completely fraught concept and one absolutely central to her art. In many ways, Revealing is a testament to Gizelle's musical growth, personal freedom and maturity.\n\nIt also draws attention to her writing talents. When songwriters talk about life-altering experiences, they often do so in exaggerated tones. But Gizelle's songs don't come off overstated, they are grounded and relatable. Take the opener Agony Road, an almost therapeutic exercise in dealing with the seven stages of grief. Or take Better Remember (They're Controlling You), which addresses social conditioning. Three Tiny Seeds is a testament to self love and spiritual growth, and The Girl Who Cried Slow serves as an inspirational hymn for personal fulfillment. 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Anyone who was there and saw the audacious 12-piece live ensemble playing their first show knew they were seeing something special.\u003c\/p\u003e","brand":"The Funkadoobian","offers":[{"title":"Default Title","offer_id":49949531930961,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0831\/9850\/9393\/files\/Sam_Redmore_Universal_Vibrations_f_d553f003-f91f-4765-9402-1d24c2dddd5c.jpg?v=1731425101"},{"product_id":"sam-redmore-what-would-you-do","title":"Sam Redmore - What Would You Do","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSam Redmore's forward thinking eclectic global grooves continue to shine bright. Known for making feel good tracks that effortlessly straddle across electronic, jazz, latin and afro music, Sam returns with the sublime cover of Dames Brown's 'What Would You Do?' featuring outstanding vocals by Lumi HD and a team of quality backing singers and musicians. 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Composed and recorded while in and out of lockdowns, \"Papillon de Nuit\" is an album anchored in growth and maturity. The thematic inspiration came from an unlikely source, a creature that soars after the sun sets, but often goes unnoticed until the light shines on it. It is the \"papillon de nuit\" to some, but drably referred to as a moth by others, revealing a bias in language alone.\u003c\/p\u003e\n\u003cp\u003e\"I always thought it was a strange insect. Once while in Paris, a friend swatted at one and I asked: 'Was that a moth?'. I was told: 'No, that's a papillon de nuit.' I thought that was the most beautiful description for this otherwise overlooked creature. When I later learned of the symbolism associated with it, I felt that really spoke to both my own situation and also what we've all been going through.\" Production on \"Papillon de Nuit\" was helmed by a mixture of old and new collaborators. The Safe Spaceship Records production team, consisting of Scott McCannell (Lydia Persaud, Claire Davis), Ben MacDonald and Chino de Villa (re.verse, Jessie Reyez), produced four songs on the album. The group also assisted as session musicians for songs produced by newcomer Todd \"HiFiLo\" Pentney (Allison Au Quartet, JUNO Award winner). \"The Gumption\" contributor Kevin Henkel (\"Tell Me Something\", \"Look At Us Now\") returned with three compositions, and old friend Jesse Bear (Sean Kingston, Stan Walker) contributed to one song.\u003c\/p\u003e\n\u003cp\u003eFollowing the success of \"Soul Run\" (2016\/17) and \"The Gumption\" (2019), Tanika had found a comfortable pace of releasing albums then hitting the road the following year to bring her show to new markets far and wide. So when things changed for all of us, and plans of touring \"The Gumption\" properly fell through, there was a realization that getting to work on the next project was the healthiest choice to make.\u003c\/p\u003e\n\u003cp\u003e\"I was in some dark places. My energy was stagnant and the only reliable constant was this perpetual uncertainty. I had gone from feeling like I was everywhere to only being in one place. From seeing so many new faces, to only my own, in the mirror, everyday and having to face that. Getting back to work on music allowed me to explore these feelings through the format I know best. And I wanted to make sure that when things were ready to resume, I'd be ready with something new for my audience too.\"\u003c\/p\u003e\n\u003cp\u003eTanika, who took part in the writing of most of the album, was also assisted by regular co-writer Robert Bolton (\"Soul Run\", \"Remember to Remember\") and accomplished solo performer Tafari Anthony (Priyanka, of RuPaul's Drag Race). Featured guests include the multi-disciplinary artist Khari McClelland and rising Toronto rapper, DijahSB. Both Dakarai Morris-James (Joanna Majoko, BeBe Zahara Benet) and Sean \"D\/SHON\" Henderson (\"Love Overdue\", Serena Ryder) assisted with vocal arrangements across multiple songs.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\"I think this album represents my best work to date. And yet, it also represents me coming to terms with who I am as an artist. For the first time I think I've actually accepted my own voice. I can hear beyond the imperfections, and I realized that when paired with the right music, it can sound pretty good. 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While the apprehensive lover at the receiving end of that inquisition should feel slighted by the remark, it also alludes to the assuredness Tanika has gained since the release of her Juno Award and Polaris Music Prize-nominated debut Soul Run. The Gumption picks up where Soul Run left off, continuing her tradition of marrying classic soul with modern production styles. Across a dozen songs spanning 38 minutes, Tanika addresses moments of vulnerability, vindication, uncertain love, forbidden fruit and the state of the world today. It's a little more mature. It's not feeling guilty about being up front, not being afraid to address situations that aren't comfortable for me. I'm comfortable in my skin now in a way I never was before. The overall theme is growth. I feel the music reflects that, and my words reflects that. Even the album cover tries to convey the feeling too. 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