Sylvia Striplin - Give Me Your Love
- Artist Sylvia Striplin
- Title Give Me Your Love
- Label Uno Melodic Records, Expansion
- Catalogue No EXLPM63
- Format LP
- Genre Disco JazzFunk
- Media Condition Mint (M)
- Sleeve Condition Mint (M)
Year Released: 1981 (Recorded in 1980–1981)
Genre: Funk, Soul, R&B, Disco, Quiet Storm
Description:
Give Me Your Love is the debut (and only full) solo album by vocalist Sylvia Striplin, released on May 5, 1981 via Uno Melodic Records. The album was recorded across 1980 and 1981 in studios including Artisan Sound in Hollywood, Electric Lady and Sigma Sound in New York City and was produced by Roy Ayers and James Bedford.
This record blends elements of funk, soul, disco, and quiet storm, offering both danceable grooves and more intimate, smooth moments.
The standout track is “You Can’t Turn Me Away”, which has had a life well beyond the album itself. Though originally the B-side of the Give Me Your Love single, it became immensely sampled (notably in “Get Money” by Junior M.A.F.I.A.) and covered (Erykah Badu) over the years.Meanwhile, the title track “Give Me Your Love” is a sultry, mid‑tempo groove featuring warm vocals, rhythmic instrumentation, and a sensuous mood.
Other tracks such as “Look Towards the Sky”, “Toy Box”, “All Alone”, and “Searchin’” show Striplin’s range—some more upbeat and funky, others more introspective and smooth.The production and arrangements often emphasize groove, tight rhythm sections, layered backing vocals, and tasteful use of keyboard, strings, and subtle electronics.
At the time of release, the album didn’t make a large splash on mainstream R&B charts, but over time it has become a rare groove gem prized by collectors, DJs, and soul aficionados. Its reputation today is built on its combination of musical sophistication and emotional directness.
In the context of Sylvia Striplin’s career, Give Me Your Love stands as her defining solo statement. Before this, she had sung with groups like Aquarian Dream and with Roy Ayers’ project Eighties Ladies. The album’s enduring appeal lies in its seamless balance of groove, feeling, and tasteful production — a snapshot of the transitional period in early ’80s soul, when disco, boogie, and jazz‑funk sensibilities intersected.
